Jo Michaels ~ Author

Enneagram Types - Conclusion

Fri, 17 May 2013 08:44:07 -0400

Happy Friday, good people of the blogosphere! Today is the tenth and final post in my series on Enneagram Personality types. Rather than just have you typing your characters and following the Enneagram model, I’m going to give you food for thought today. You’ve been (hopefully) working through the dialogue exercises and have a pretty good grasp of how specific character types will react in certain situations. You can combine these types with an understanding of Human Nature and really dream up characters that make an impact. I’ll show you how. So grab those pens and notebooks and let’s get going!

Here’s a recap of all the posts from the series:
Type #1 - The Reformer
Type #2 - The Giver
Type #3 - The Achiever
Type #4 - The Artist
Type #5 - The Observer
Type #6 - The Questioner
Type #7 - The Adventurer
Type #8 - The Leader

Type #9 - The Peacemaker

I used definitions of each type from a book titled: The Enneagram Made Easy: Discover the 9 Types of People. That’s the link to the Kindle edition, if you choose to check it out for yourself.

So, if you’ve been following along, you now know what drives each type of person to do the things they do. You’ll also have a pretty good grasp of how these characters interact if you’ve been doing the exercises at the bottom of the posts.

Let’s talk about how to bring these characters to their knees, shall we?

Ones are perfectionists. This means they’re a little on the OCD side and they try to push their perfectionism onto others. They enjoy dotting the I’s and crossing the T’s. Think for a moment about what would drive a One up the wall. If you’re using a One as a main character, consider putting them up against something they can’t control or can’t change the outcome of; no matter how much they want to.

Fives are watchers. Rarely do they get into the thick of things. They prefer to read about things to learn how to do them rather than learning by trying. These folks usually have the right answer. But what would drive them batty? Being wrong all the time, never knowing what’s really going on, or even being forced to take control of a situation.

When you study the Enneagram, you’re looking for a deeper sense of self. It will tell you what your pitfalls are and how to avoid them. Character insight goes from surface understanding to truly knowing what your character feels, thinks, and how they’ll react in any given situation.

What else does understanding give you?

The ability to know just how to hit them where it hurts, make them sublimely happy, or change them in some profound way. Wait, change them? Why would you want to change a great character?

Every character is on a journey. They must change in some profound way from page one to the end of the book. Without the journey, you have no story. If you have no change, your character will seem like one that can’t learn from their mistakes. They come off flat. Using the Enneagram will prevent unbelievable change. Know what they tend to when stressed or happy. Put it to good use.

You should think about what kind of character you’re writing before you ever put down the first word. Now, there’s a caveat to this! Maybe you have a great character and don’t know yet what their personality type is. My suggestion is to use free-writing via dialogue. Sit down and have a conversation with that character. Let them show you just who they really are. Once you have that down, you’re golden.

As writers, we tend to base our characters on people we know well. We don’t even realize we’re doing it half the time. But we’re familiar with their personality so we’re in our comfort zone. Keep this in mind. There’s nothing wrong with doing it that way, just make sure you have the greatest understanding possible.

I hope this series has helped you in some way. Character driven stories are pretty popular. Think: Harry Potter, Pride and Prejudice, or the Percy Jackson series.

How will you use the Enneagram? For personal or writing purposes?

Well, that’s all for today, folks! Until next time, WRITE ON!

The Peacemaker - Enneagram Type #9

Thu, 16 May 2013 08:47:41 -0400

Happy Thursday, good people of the blogosphere! Today, I give you the last of the Enneagram types: The Peacemaker. Tomorrow, we’ll go into how you can use these personality types in a different way. So far we’ve been delving into the human mind and extracting what makes people tick. I’m gonna show you how to use that knowledge to create lots and lots of drama. So be sure you come on back tomorrow for the final installment of the series! Grab your pens and notebooks and let’s get going.

As always, I’ll begin with links to the first posts of the series:
Type #1 - The Reformer
Type #2 - The Giver
Type #3 - The Achiever
Type #4 - The Artist
Type #5 - The Observer
Type #6 - The Questioner
Type #7 - The Adventurer

Type #8 - The Leader

I’ll be using definitions of each type from a book titled: The Enneagram Made Easy: Discover the 9 Types of People. That’s the link to the Kindle edition, if you choose to check it out for yourself.

Today, we talk about #9 - The Peacemaker.
Definition: Peacemakers are motivated by the need to keep the peace, merge with others, and avoid conflict. Since they, especially, take on qualities of the other eight types, peacemakers have many variations in their personalities, from gentle and mild mannered to independent and forceful.

Nines are usually pretty easy to spot. They tend to try and diffuse a situation by offering some excuse for the other person or entities’ behavior. Some of the more aggressive types might the Peacemaker as taking sides with those who behave badly. It will probably piss the other type off.

At their best, Peacemakers are some of the most pleasant people to be around. They always fit in with a group of people and are seen as the most understanding of the nine types. However, when they’re stressed or having a bad day, you’ll be face-to-face with one of the strangest people you’ll ever meet. It’s like a total personality change. Where you’ve had this calm, nice, understanding person before, you’ll be faced with a roaring lion that can’t seem to focus on anything and passive-aggressively attacks you.

Never will a Nine ask for what they want. They’ll be so focused on you and your needs, they’ll overlook themselves. But the dam breaks eventually and the Nine will begin to act a lot like a Four; bringing drama to the table you may not be able to handle. After their meltdown, they’ll feel bad and try to patch things up.

Peacemakers don’t make good antagonists because they desire peace at any cost.

This leads us to the exercise for today!

You have a Peacemaker that just broke up an argument between a Reformer and an Artist. Show how the Peacemaker acts when under duress. Use a lot of action. Have both the One and the Four yell at the Nine. Make them throw things. Create a hurricane your character must traverse. It’s up to you how it all ends, but remember to have some fun with it.

Don’t forget to come back tomorrow for the final post!

Well, that’s all for today, folks! Until next time, WRITE ON!

The Leader - Enneagram Type #8

Wed, 15 May 2013 09:16:09 -0400

Happy Wednesday, good people of the blogosphere! Wednesdays always make me think of weddings. You got wed on a Wednesday. How charming. Okay, enough drivel. We’re continuing with our Enneagram personality types today! The Leader (also can be called The Asserter) is a fun type of character for an action novel or as comic relief for a lighter read like chick-lit. Grab your pens and notebooks and let’s get going!

Type #7 - The Adventurer

I’ll be using definitions of each type from a book titled: The Enneagram Made Easy: Discover the 9 Types of People. That’s the link to the Kindle edition, if you choose to check it out for yourself.

Today, we talk about #8 - The Leader.
Definition: Leaders are motivated by the need to be self-reliant and strong and to avoid feeling weak or independent.

Leaders are assertive and often end up getting themselves into trouble with their constant fight for what’s right. They can be martyrs, sacrificing themselves for the “greater good.” If you use a leader in your novel, do it with caution if they aren’t the main character. They’ll steal the spotlight every time if you allow them to.

Using an Eight as your protagonist might just be the kick you need to really catapult your story into the next realm of awesomeness. They’re assertive, loyal, and fiercely protective of those they love or their own ideals.

When they’re bad, you see a control freak that can go overboard with their wants and needs. Leaders make great bad guys; but they can also make a compelling good guy. Remember Peeta in The Hunger Games?

All this leads us to today’s exercise!

Create a leader who’s angry about deforestation in their area. When the machines show up to cut down the trees, put a Three in the role of foreman. Allow the scene to write itself. What the Eight will do should be based upon their feeling of injustice to the trees. Use action tags with only a few dialogue tags as the two go at it. Remember, you can use a woman and a man, two women, or two men. Do something unexpected. Have fun with it!

Is there someone in your life who’s a cut-and-dry Leader? What causes do they fight for?

Well, that’s all for today, folks! Until next time, WRITE ON!

The Adventurer - Enneagram Type #7

Tue, 14 May 2013 08:17:15 -0400

Happy Tuesday, good people of the blogosphere! Today, we talk about an exciting personality type: The Adventurer. When you read the book about the different types of people, you’ll start typing people in your head. Heck, you may be doing it now, from these blog posts! I urge you to pick up a copy of the book and have your friends or loved ones answer the typing questions at the start of each chapter. You may be surprised. Someone you’ve nailed down as a Three may end up being a closet One or Eight. It’s a lot of fun. Well, grab your pens and notebooks and let’s get going!

As always, I’ll begin with links to the first posts of the series:

Type #1 - The Reformer

Type #2 - The Giver

Type #3 - The Achiever

Type #4 - The Artist

Type #5 - The Observer

Type #6 - The Questioner

I’ll be using definitions of each type from a book titled: The Enneagram Made Easy: Discover the 9 Types of People. That’s the link to the Kindle edition, if you choose to check it out for yourself.

Today, we talk about #7 - The Adventurer.

Definition: Adventurers are motivated by the need to be happy and plan enjoyable activities, contribute to the world, and avoid suffering and pain.

This character is fun-loving, enthusiastic, and charming when on their game. They’re also clingy, needy, and a wee bit self-destructive when they aren’t. Never being happy with what life gives them, they’re constantly searching for more.

Your reader may see the character as impulsive and want to slap their face. Or, the reader may wonder why in the hell this character would act they way they do. Especially if your reader is a Five or Six.

Adventurers are reckless and love the element of danger. They sometimes seek it out if life becomes too hum-drum. These actions can cause trouble or a lot of fun! Great characterization can be done if you create a protagonist who’s a Seven.

On to today’s exercise!

Write two pages of dialogue between a Seven and a Three. Remember, the character types on either side, called wings, also influence the actions of a person (we’ll go into this more on Friday). A Three will also have traits of a Two and a Four. Keep your Seven firmly in their type while allowing the Three to lean one way or the other. Your scene? A crowded bar with loud music and lots of dancing. Threes are workaholics so go with the flow and enjoy writing. Don’t paint the scene through anything but dialogue. Use no inner-monologue for this exercise.

What was your favorite book with a Seven as the protagonist?

Well, that’s all for today, folks! Until next time, WRITE ON!

The Questioner - Enneagram Type #6

Mon, 13 May 2013 08:52:51 -0400

Good morning and happy Monday, good people of the blogosphere! Today, we’ll be talking about more of the Enneagram personality types. If you’ve been keeping up with these posts, you’ll have taken a headlong dive into some of the more interesting personality types. I think Questioners would make very good writers because they’re always asking what if. Decide for yourself! Grab your pens and notebooks and let’s get going!

As always, I’ll begin with links to the first posts of the series:

Type #1 - The Reformer

Type #2 - The Giver

Type #3 - The Achiever

Type #4 - The Artist

Type #5 - The Observer

Today, we talk about #6 - The Questioner.

Definition: Questioners are motivated by the need for security. Phobic questioners are outwardly fearful and seek approval. Counterphobic questioners confront their fears. Both of these aspects can appear in the same person.

Questioners are constant worriers. They stress over things you’d probably never dream of giving more than a passing thought to. They always look at a situation and try to figure out what’s really going on, how it can worsen, and what could make it better.

They make fun characters because you can play with those fears and really show the reader how much deeper the trouble really is. On the flip side, you can also use them as a crux to a One, having the Six constantly make judgments about the decisions being made, or being overly critical of the One’s appearance.

Keep in mind flattery rarely works on a Six. They never believe compliments and will always ask themselves why someone is saying those pretty words. Rarely can a Six see it for themselves, even if the person giving the compliment is sincere.

Time for today’s exercise!

Use a Two (Giver) and a Six. Put them in a coffee shop and have the Two pick up the tab for the Six. Write one page of inner-monologue and dialogue that shows what the Six is saying and thinking. Remember, your Giver gives freely, with no thought of payback. Now change the POV and write the same scene from the Giver’s point of view.

As you’ve probably realized, many of these personality types can blend a bit into one person. That’s because of the way the Enneagram is formed. Folks can jump to the types on the opposite side when in stress or when feeling confident. Know your personality types and use them. If you want to know more, pick up the book. As always, I don’t make any money off what I recommend on this blog, I just suggest tools that I believe will help you in your writing endeavors.

Have you read anything lately with a character that fits one of these personality types? What was it?

Well, that’s all for today, folks! Until next time, WRITE ON!

The Observer - Enneagram Type #5

Fri, 10 May 2013 10:17:22 -0400

Holy crap, good people of the blogosphere! It’s Friday! Do a happy little dance because you get the next two days off work. Know what you should do with all that free time? Write! Try a couple of the exercises from the blog this week and get your dialogue muscles doing those mental push-ups. Continuing with my series on the Enneagram (pronounced any-a-gram) personality types. I give you #5 - The Observer. So, grab those pens and notebooks and let’s get going!

As always, I’ll begin with links to the first posts of the series:
Type #1 - The Reformer
Type #2 - The Giver
Type #3 - The Achiever

Type #4 - The Artist

I’ll be using definitions of each type from a book titled: The Enneagram Made Easy: Discover the 9 Types of People. That’s the link to the Kindle edition, if you choose to check it out for yourself.

Today, we talk about #5 - The Observer.
Definition: Observers are motivated by the need to know and understand everything, to be self-sufficient, and to avoid looking foolish.

Observers, as their name implies, are watchers. They’ll never be found at the center of the action, won’t ever be the life of the party, and worry about everything, seeking knowledge to make sense of it all. However, when prompted, and reassured their viewpoint matters, it’s difficult to shut them up.

They’ll annoy the crap out of you with their controlling ways, but often have insight no one else in the room does. Their analytical mind goes crazy with options all the time. If you say yellow, they try to figure out why you said yellow rather than blue.

What’s surprising about the observer is, they won’t open their mouths until they’re sure they’re right with their opinion. Once you give them the go-ahead, they’ll tell you about everyone in the room. They make interesting characters because you can have them sit by and watch, only to drop the bomb that makes everyone gasp.

Which leads us to today’s exercise!

Take an observer and have them watch an artist and a reformer have a conversation. Drop hits that the reformer is wrong in their ever-giving advice but don’t let it become obvious until the observer is asked for an opinion. Make it twisty and have some fun.

I know you’re all wondering how any of this is going to help you write. I’ll get to that next Friday. So keep your pants on!

Well, that’s all for today, folks! Until next time, WRITE ON!

The Artist - Enneagram Type #4

Thu, 09 May 2013 08:57:57 -0400

Happy Thursday, good people of the blogosphere! I know you’ve all been waiting for this one, being writers and all. Enneagram type #4 - The Artist. Would you believe there’s only five more types? Well, believe it. Remember, you can delve into awesome things with my writing class over on INDIE Books Gone Wild. You’ll learn so much! Grab those pens and notebooks and let’s get going!

As always, I’ll begin with links to the first posts of the series:

Type #1 - The Reformer

Type #2 - The Giver

Type #3 - The Achiever

Today, we talk about #4 - The Artist.
Definition: Artists are motivated by the need to experience their feelings and to be understood, to search for the meaning of life and to avoid being ordinary.

Artists are drama queens. They tend to make tsunamis out of every wave life rolls at them. In addition, they have a difficult time understanding how others don’t see the tsunami. These people tell everyone they meet about accomplishments, failures, and confusions in an effort to identify.

When I typed ordinary, above, it almost felt like a dirty word. I can’t imagine being just like everyone else. I suppose most people would call that being normal. What the heck is normal, anyway? A house with a white picket fence, two and a half kids, and a golden retriever? I have all that but the golden retriever, and I’m far from normal. But I also don’t like confrontation. That very firmly puts me out of the artist category.

Have you been trying to identify yourself as we go along?

Creating a character that’s an artist requires you to be overly sensitive to the emotions in the world around you. But they have the potential to bring a whole new level of emotion to a story. Used wisely, these characters are confrontational, fun, and very rounded. They can also piss your reader off with their dramatic ways. Ah well, at least they’ll be remembered. After all, that’s what we strive for, right?

Time for today’s exercise!

Put a character who’s an artist into the following situation with a reformer: It’s a Friday and both are waiting for an interview for a big job. While sitting in the holding area, these two strike up a conversation. Using what you know of the artist’s tendencies to tell everyone everything about themselves, create a scene where the other people sitting nearby want to flee. Have some fun with it.

Well, that’s all for today, folks! Until next time, WRITE ON!

The Achiever - Enneagram Type #3

Wed, 08 May 2013 08:48:31 -0400

Happy Hump-day, good people of the blogosphere! I love Wednesdays because I don’t have to cook dinner and I get to spend time with The Best Boyfriend in the World. Plus, after today, there are only two days left until the weekend. All good. We’re continuing with our Enneagram personality types today. The Achiever is quite the character. But we’re gonna put a little spin on that type of character so we end up with more to give our readers. Grab those pens and notebooks and let’s get going!

If you’d like to take a peek back to the first two types, here are the links:

Type #1 - The Reformer

Type #2 - The Giver

Today, we talk about #3 - The Achiever.
Definition: Achievers are motivated by the need to be productive, achieve success, and avoid failure.

These types of characters have a lot of energy and a long to-do list. When they’re engaging someone in conversation, they’re not fully engaged. Their mind is always thinking of what they need to do next.

Having an achiever means they’ll be focused and very good at whatever it is they do. Striving for people to like them, they’re the ones working the room at parties; networking, introductions, and telling jokes is the order of the day.

On the flip-side, they’re also persuasive and can sometimes talk someone into doing something they didn’t even realize they were being convinced to do. It’ll come out of nowhere. Achievers have a dire need to win every argument, outhink everyone in the room, and be the best of the best of the best. These characters succeed in everything they do.

You can use an achiever to either further your plot by having them convince your main character to do something (or not do something) they’ve been wavering on.

That leads us to:

The exercise for today!

Your achiever isn’t going to be the CEO of a company. They won’t be a business owner. Today, your achiever is going to be a serial killer. Engage them in dialogue with someone who they’re planning to kill. Have them convince the person to do things that put them in harm’s way without realizing it. Have some fun with this one and be devious as hell.

Remember, The Bird is still free until midnight tonight. Go snag a copy and see if you can tell what personality types the characters are!

Well, that’s all for today, folks! Until next time, WRITE ON!

The Giver - Enneagram Type #2

Tue, 07 May 2013 08:34:06 -0400

Happy Tuesday, good people of the blogosphere! Today, we continue with our Enneagram personality types. I do hope you’re enjoying all the learning around here. I’m gonna take the time to remind you all, I give a four-week class on these things. You can check it out over on INDIE Books Gone Wild. Now, without further ado, I give you: The Giver.

Today, we talk about #2 - The Giver.
Definition: Givers are motivated by the need to be loved and valued and to express their positive feelings toward others. Traditionally society has encouraged #2 qualities in females more than in males.

These characters aren’t usually good as protagonists in novels where the lead needs to be aggressive. They’re passive, advice-giving people who are always willing to share what they have with others.

Keep in mind that what people say and what they do are oftentimes very different. Givers are the same. From my post on Holding a Grudge, from my Human Nature series, you can see this character would most likely fit into the category of Pretending to Let it Go. Oftentimes, their words and actions don’t match their thoughts.

They also love to be martyrs. They’ll sacrifice just about anything in the hopes people stand up and say, “Wow. That was really great of them to give the rest of their life to save hers.” But even when people don’t appreciate those actions, the giver will continue to give. It’s what they know.

There’s an easy way to let the reader know your character is a giver: inner-monologue.

This leads us to the exercise for today!

Write a page or two of dialogue in first-person interspersing inner-monologue. Have the giver face another character who’s always asking for something. This is where you can really make your reader either love or hate the giver. Either way, go for strong emotional reaction to the character by the reader. Make your giver someone your reader won’t forget any time soon.

I’m leaving you with a little treat today! Through tomorrow at midnight, my fantasy novel, The Bird, will be free on Amazon. Pop on over and grab a copy!

Well, that’s all for today, folks! Until next time, WRITE ON!

The Reformer - Enneagram Type #1

Mon, 06 May 2013 09:19:51 -0400

Welcome back to Monday, good people of the blogosphere. Another week is upon us. Good news! For the next ten days, you’re going to get a treat from the blog. We’ll be going over Enneagram personality types and how you can use this labeling system to create dynamic characters. Not only will you be producing more interesting characters, they’ll also have wants and needs. Hopefully, you can bring this out in dialogue with the exercise given at the bottom of each post. So grab your pens and notebooks and let’s get going!

Today, we talk about #1 - The Reformer.

Definition: Reformers are motivated by the need to live their lives the right way, including improving themselves and the world around them.

These characters are outspoken and never miss an opportunity to point someone in a direction the reformer believes is right. Now, keep in mind these folks live with a strong point of view that isn’t always socially acceptable. They try; but they don’t always succeed. Oftentimes, they’re called smartasses, jerks, assholes, or know-it-alls behind their backs. But they can come in handy either as a lead character or a secondary character who pushes the lead to do the “right” thing.

Reformers can also be fun. If you have one in your story, you might want to give him or her a snarky attitude. This could be great for the punchlines of jokes or just to annoy the crap out of other characters. Perhaps you can off the reformer just so the reader punches the air and yells, “It’s about time!”

You decide what kind of personality to give your character. Why not have a reformer in the slew of cast you pull from your imagination? They’re almost guaranteed to give your story the two-punch in the guts it needs.

Time for the day’s exercise!

Write a few paragraphs of dialogue where a reformer talks to you. Let them show you where you’re going wrong and have them point you in the “right” direction. See what kind of things you learn about the character. Tell them off, agree with them, or just let them rant at you about everything you’re doing wrong and how you might be able to fix it.

This is going to be a long two weeks. But if you hang in there, I promise you’ll be thanking me by the end.

Well, that’s all for today, folks! Until next time, WRITE ON!

Dialogue Exercises - #5

Fri, 03 May 2013 08:49:32 -0400

Happy Friday, good people of the blogosphere! Oh, man, what a week it’s been! Busy is always good for a writer though, so I can’t complain. Is everyone ready for the weekend? I know I am! Before you take off and grab some R&R, do a dialogue exercise or two and flex your creative brain. You won’t be sorry. Today is the last day of pumping brain iron. Next week, and the week after, we’ll be going over something that will help you with a final exercise. I’m not gonna ruin it by giving it away now. Come on back Monday and see what’s in store! Enough about that, grab those pens and notebooks and let’s get going!

If you’d like to check out the first four posts, follow the links below:

Dialogue Exercises - #1

Dialogue Exercises - #2

Dialogue Exercises - #3

Dialogue Exercises - #4

There are fifteen exercises total, three on each day. Remember, each of these workouts calls for at least two pages of dialogue.

Exercise #13: Using dialogue to create sympathy.

Grab a protagonist and antagonist from one of your stories. Throw them into a setting and have them talk about their pasts. Show your reader why they should root for one over the other; or, make your reader feel a little sorry for your antagonist.

Exercise #14: Adding dialogue where you usually wouldn’t to amp up the scene.

Put two characters on an island and have them make love. Write what you think they’d say if they were speaking while participating in the act. Use this to garner a deeper understanding of what your characters are feeling as they do something where speech isn’t usually the order of the day, to set the scene, or as a surprise to wake your reader up and make them pay attention.

Exercise #15: Revealing obstacles through dialogue.

This time, use yourself. Think of a lofty goal you have and bring someone into the scene who never fails to tell you like it is. Open the scene with that person revealing an obstacle you can’t overcome. Focus on your own feelings and how you’d react when you realize your dreams just went down the toilet. Use the rest of the scene to convey the goal to the reader and have them understand why it can’t be accomplished no matter what.

I hope these exercises have been useful, and I hope you did at least one of the fifteen. The next ten days are gonna be awesome! Make sure you come on back and check it out. If you’d like these helpful tips delivered to your e-mail inbox every day, subscribe to my blog!

Well, that’s all for today, folks! Until next time, WRITE ON!

Dialogue Exercises - #4

Thu, 02 May 2013 08:31:29 -0400

Happy Thursday, good people of the blogosphere! I hope you all have a wonderful weekend planned. Just two more days to go now. That’s two more days of dialogue exercises. If you want to rush the time along, try doing one or more of these today. Before you know it, it’ll be Friday! Grab your pens and notebooks and let’s get going!

Again, I won’t bore you by repeating myself. If you want to check out days one, two, and three, you can find them here:

Dialogue Exercises - #1

Dialogue Exercises - #2

Dialogue Exercises - #3

Remember, each of these exercises require at least two pages of dialogue.

Exercise #10: Remembering your senses when writing dialogue.

Take a place you’ve visited that’s full of activity and bring it to mind. Put two characters in the midst of it all and have them talk about what’s going on around them. Use all five senses as you write so your reader gets a good idea what the place is like. Sight, sound, smell, taste, and touch. Bring the venue to life on the page. Make one of them blind, if that helps.

Exercise #11: Using dialogue to bring about transformation.

Using the confrontation/response method, create dialogue in which one character gives the other a reason to change. Make it so the protagonist has to look deep within and see something they hadn’t before. Your antagonist can be cruel or kind in their observations/opinions, but their words should bring about change.

Exercise #12: Setting tone/voice with dialogue.

Something is in the woods. A mom and daughter are camping, alone. Suddenly, mom feels like they’re in danger. Using dialogue, set the tone of the scene. Be true to your characters and really bring forward their fear and Mom’s protectiveness over her daughter.

I hope you’ll give at least one of these a whirl today. You can’t get better if you don’t practice! Tomorrow is the last day of dialogue exercises. Next week, I’m going to begin a 10 day series on a very important topic relating to dialogue. Come back every day and see what you find!

Which one of these is your favorite?

Well, that’s all for today, folks! Until next time, WRITE ON!

Dialogue Exercises - #3

Wed, 01 May 2013 12:57:41 -0400

Happy Hump-Day, good people of the blogosphere! I hope the first half of your week has exceeded expectations and the second half looks promising! Today, we continue with our dialogue exercises! Three more tools to add to your belt to help you on your journey to greatness. Remember, over on INDIE Books Gone Wild, I give a writing class that goes through this and so much more! Grab those pens and notebooks and let’s get going!

You can find day one here.

And day two here.

Remember, each of these exercises calls for at least two pages of dialogue.

Exercise #7: Writing telephone dialogue.

Take two of your characters and make them interact over the phone. Stay in one POV. Write both sides of the conversation but omit all hellos and goodbyes. Use assumption to infer what the other character is doing while talking. Make it a heated conversation or put something big at stake. Now go back and write it from the other POV.

Exercise #8: Removing all saids from dialogue.

Write a conversation between two of your characters without using the word said. You may only use actions, thoughts, or observations.

Exercise #9: Killing direct addresses in dialogue.

Go through a passage you’ve written from above and take out all instances of direct address. Make it work through actions instead.

Example:

“John, did you see that UFO just now?” Marsha screamed.

“No, Marsha, I didn’t. I was too busy looking at you.”

“But, John, we’re at an observatory!”

“I know, Marsha. I am observing,” said John.

Change to:

“Did you see that UFO just now?” Marsha screamed.

“No, I didn’t. I was too busy looking at you.” John’s face was slack and his eyes bored into her.

She felt her face get hot. “But we’re at an observatory!”

“I know. I am observing.”

See how much more natural that sounds?

I do hope you take the time to do at least one of the above exercises. Your manuscript will thank you for it later.

Have any of these worked out for you? Are you trying them?

Well, that’s all for today, folks! Until next time, WRITE ON!

Dialogue Exercises - #2

Tue, 30 Apr 2013 10:21:44 -0400

Happy Tuesday, good people of the blogosphere! Today we continue on our journey through dialogue exercises. If you missed post #1, please go back and take a gander here. If not, grab your pens and notebooks and let’s get going!

I’m not going to bore you all to tears with a repeat of what I said yesterday. Let’s just dive on into the exercises!

Every exercise below calls for at least two pages of dialogue.

Exercise 4: Using dialogue to set mood.

Just like you can use dialogue to set a scene, you can also use it to set a mood. Stick two of your characters in a setting that will enhance the mood and let them discuss what they’re seeing or feeling in the moment. For fun, try using a setting you’d never expect to see in your novel and let the dialogue flow. Focus on emotion and try to set the mood with speech rather than scene.

Exercise 5: Adding dialogue to action scenes.

Pull up an action scene you’ve written where there’s little to no dialogue. Read it a couple of times and think about your character as you do. Recall their personality, habits, and opinions. Add no less than sixteen lines of dialogue that convey a few of those habits and opinions. Let their personality shine as you write.

Exercise 6: Increase the suspense with dialogue.

Every character has opinions. Write a scene in which two characters are going head-to-head over action items they believe will garner the desired resolution of the journey. Make it heated but use it to move your story along. Create conflict over something one deems appropriate and the other says will get everyone killed. Decide on an outcome.

Again, I hope you put at least one of these in your pocket and give it a try today. Come on back tomorrow for three more!

What exercises do you use to improve your written dialogue skills?

Well, that’s all for today, folks! Until next time, WRITE ON!

Dialogue Exercises - #1

Mon, 29 Apr 2013 10:21:05 -0400

Happy Monday, good people of the blogosphere! This week we’ll be delving into dialogue. I’ll give you a total of fifteen exercises (three per day) you can do to make your dialogue stronger. Nothing ruins a great story quite like stilted dialogue, unnatural sounding dialogue, no dialogue at all, or overabundance of conversation. So, grab your pens and notebooks and let’s get going!

There are so many different ways to use dialogue to improve story flow. These exercises will help you overcome some of the things that stilt a story. Again, this series is part of the writing class I give over on INDIE Books Gone Wild.

Every exercise below calls for at least two pages of dialogue.

Exercise 1: Using dialogue to reveal setting.

Take two characters you’ve used in a past novel and throw them into a scene together. Only using dialogue, reveal to the reader what setting the characters are in. I’m asking you to use two characters you’ve written before so you have an idea of the types of things they’ll notice. You may want to throw in a conflict here and have them argue about where they are. As another option, perhaps it’s a place neither have been before and they’re exclaiming over things they see. Remember, be gradual. No information dumps. What would they say?

Exercise 2: Using dialogue to reveal or convey feelings.

Write a conflict scene between two characters you’ve written that love one another. Do it from one person’s POV then switch. Betrayed to betrayer. Feel what they’re feeling and use it.

Exercise 3: Weaving dialogue, action, and narrative together.

Using one of the reveal scenes from above, go back and add action to the scene. Put in little facial clues or gestures to show the reader more. Try adding a narrator to the scene. Where would they comment on what’s going on? Now cut 1/4 of the dialogue and let the action be the revealing element. Read for flow.

There are a number of things you can use dialogue to do. Rather than giving your reader a couple of paragraphs about the setting, give them lines where the character reacts to what he/she is seeing. Avoid the information dump.

I hope you enjoyed this post and did at least one of the exercises. Come on back tomorrow for more!

Well, that’s all for today, folks! Until next time, WRITE ON!

Healing Plot Wounds

Fri, 26 Apr 2013 08:07:18 -0400

Happy FRIDAY, good people of the blogosphere! What a week! Here comes the the weekend, though. I hope you all have wonderful plans. Today, we’re gonna talk about some common plot wounds and how you can heal them. So, grab your pens and notebooks and let’s get going!

Problem 1: Your flashback is all mucked up.

Make sure you need it. Remember, a flashback will disrupt the flow of the story and pull the reader into the past for some reveal. It should never be an information dump, but a high-energy scene. If you keep your flashbacks short, all the better. Try working the information into dialogue instead. That way, the story keeps moving forward, but your readers get the information you’ve deemed necessary.

Problem 2: Your scene has no two-punch.

You know that height of the scene where exciting things happen? Find it in your story and highlight it. See how much you can dump before it happens so there’s less drag getting there. You’ll likely find a lot of the wordy things before the action can be removed and it still work. Then, give it a two-punch. You know, that little something extra. Some emotion or reaction as the action occurs.

Problem 3: You’re holding back your characters because they’re off plot.

Suddenly, your characters are trying to go left but you force them to turn right. That wasn’t what you had in mind and no-way no-how are you letting them go there. This will hinder your story. Try opening a new document and let the character go the way you think they would. Have a conversation, run a scene in your movie-projector mind, or type a quick scene out where your character faces something out of the ordinary. Don’t force them to react a certain way. Let the character decide. Then, return to your story and let them play it out the way they want to. It works. As a bonus, the outcome might surprise you. I didn’t intend the twist in The Bird, the characters did that on their own.

Problem 4: Mind-system shutdown.

Overload. Your mind shuts off, your imagination takes a break, or a head cloud invades. How do you turn it back on? Writers don’t have switches on the side of their heads. If this happens, try one of these tricks: Act out a scene. Don’t imagine it, get your booty out of your chair and act it out. Take a walk and have a conversation with your protagonist. No, I’m not kidding. Sometimes, this is just what you need to understand their vision and/or motive. Maybe those crazies on the street, walking along, mumbling to themselves, are actually writers trying to get back in touch, eh? Write down what your novel means to you. What’s the underlying message?

These are just a few of the problems we all run in to. I hope the suggestions above help in some small way.

What do you do when problems smack you between the eyes?

Well, that’s all for today, folks! Until next time, WRITE ON!

Slimming Down

Thu, 25 Apr 2013 08:08:42 -0400

Happy Thursday, good people of the blogosphere! I can’t believe I missed my hump-day post, but working too much is never something I complain about. Today, we’re talking about slimming down an overweight novel. These are just a few things you can do to cut out the drag. Remember, a good editor will tell you when it isn’t working and give you suggestions on how to fix it. Grab your pens and notebooks and let’s get going, shall we?

When you’re writing a novel, you generally have three acts. The first is to introduce the doorway and the challenge/opposition. By the time you get to the third, you’re ready to bring things to a head and give your novel an ending. What a lot of writers struggle with is the journey, the middle, the part where you are heading toward the end. Sometimes, it ends up with no excitement. On Tuesday, I gave you ways to add to your skinny tale. Now we’re gonna talk about ways to slim it down if it’s too heavy.

Cut out the boring. If you find the story lacking tension, take some of the scenes out. These can be reaction scenes, dialogue, or scenes lacking conflict. If your editor might lose interest, cut it down or cut it out.
Take away a subplot. You can absorb a subplot into the main plot to strengthen it, or combine two subplots into one to make things more interesting for the reader.
Kill someone off. That’s right, kill them. Maybe they’re stealing the spotlight from the main character or maybe you just decide their motives aren’t for the purpose of good. As an alternative, you can combine two secondary characters and make them into one strong character.

If you craft act two well, you have the opening for a killer ending. You can put your protagonist through hell only to have them be rewarded for their struggles. Or, you can always have your protagonist fail. Some of those endings make a so-so book one that’s remembered.

What exercises do you use to trim the fat?

Well, that’s all for today, folks! Until next time, WRITE ON!

Beating Middle of the Book Blahs

Tue, 23 Apr 2013 09:53:14 -0400

Happy Tuesday, good people of the blogosphere! Today we’re talking about middle of the book blahs and how to overcome them. So grab your pens and notebooks and let’s get going, shall we?

Again, this is another section of the class offered over on IBGW.

We’ve all been there. That point where the character is dragging along on their journey toward triumph or failure of their ultimate goal. It’s the dreaded middle of the book. After the doorway and before the culmination and reveal of all that’s interesting. But how do you overcome the blahs? How do you keep your story from plodding along like a draught horse rather than bringing excitement like the thoroughbreds running in the Kentucky Derby?

A few things you can do:

Add a subplot. This should be done rarely and with care. Your subplot can be brought to a head just before your main plot, but don’t let it take over and don’t do it too often. A well-known subplot for many readers is the one in the Hunger Games series. I know I reference it often, but it uses many literary devices (and does it well).
Introduce a new character. From out of the wild, here they come, that new character you may have mentioned before but decides to take on a new role. Or, you may not have mentioned this character. Perhaps they only show up in the middle of the book to bring another facet to the action. They need to make the protagonist’s life a little bit harder.
Find the glue between the antagonist and the protagonist and make it stronger. Make it matter. Show the reader why these two are in direct opposition by a little reveal of the past.

Now, those are just a couple of suggestions. The options are endless because it’s your imagination. Dig deeply and don’t allow your reader to go to sleep.

Join me tomorrow and we’ll go over how to trim the fat from the middle of a book.

What devices do you use to add drama to the middle of your novel?

On another note, if you’d like a new book to read, Taken Before her very Eyes by Wade Faubert, the one I reviewed back in February is free through midnight tonight! See the review here.

Get it on Amazon US.

Get it on Amazon UK.

Enjoy!

Well, that’s all for today, folks! Until next time, WRITE ON!

How to Find an Idea

Mon, 22 Apr 2013 09:35:03 -0400

Happy Monday, good people of the blogosphere! Well, the weekend is behind us, and we’re moving into one heck of a work week. Mine is really full of work coming at me from INDIE Books Gone Wild. Formatting for print is among the top of those to-dos for this week. What fun! But I’d like to take a moment today and talk with you all about creating that next great book. Where do you come up with an idea? Following are some great exercises you can do to get those creative juices flowing. So, grab your pens and notebooks and let’s get going!

By the way, this is part of the class I give over on IBGW for writers. If you’re interested, check out the page and then fill out the form. It’s a ton of fun and you even get a set of books no writer should be without.

Exercises:

You’ve all heard me go on and on about writing a story based on what you’re passionate about. Well, that’s exercise one. You can look into the social opinions of others and form your own. This can lead to a great idea for a story. Look at The Hunger Games. What’s she writing about, really? Government control of a people and breaking free from tyranny. You can see the author’s strong opinions about this issue within the story. She probably thought about a world that could exist at some point and then went on to another exercise, asking what if.
Exercise two is all about taking a known situation and asking what if. Read the paper, watch television, or observe people in action all around you and ask that question. Make a list and let it rest for a couple of days. When you return, you’ll see it teeming with ideas.
Listen to music. Hear the lyrics and think about what the singer is saying. Enter Sandman by Metallica could bring out a great novel, right? Write down some ideas about the situations in the songs. Just make sure your music is related to the genre you prefer to write.
For the next one, create a character. Loosely base them on someone you know and then add a splash of yourself to them. After that, you can turn them any way you see fit. Sometimes, a dynamic and original character is all you need. Close your eyes and write down the particulars of the first person that pops into your head. Flesh them out. Give them a journey.
Mind map. You remember when I talked about creating blog posts from a mind map? You start with one topic and branch things off from there. By the time you get to the fourth or fifth spoke, you’ll have a ton of ideas.

And there’s a few ways you can come up with story/plot ideas when you’re stuck. I do a couple of these exercises about once a week. Because of that, I have a folder on my laptop with one or two chapters of some really cool ideas. Will all of them ever be published? I doubt it. But some of them will. Either way, my idea is there in word form and I can reference it at any time.

What exercises do you partake in?

Well, that’s all for today, folks! Until next time, WRITE ON!

Templates for Using MS Word to Format for Print

Fri, 19 Apr 2013 08:14:04 -0400

Happy Friday, good people of the blogosphere! Today, I’m going to share some news and give you a coupon! How awesome are coupons? If you’re an Indie author and you’ve been struggling to make your book look more professional through self-publishing platforms like CreateSpace, you’re in for a treat.

Not long ago, I did a post about MS Word vs Adobe InDesign. I went through a few of the good and bad things for using each. Now, you have some additional options for making your book look awesome with MS Word. I know I’m not far off when I say, many of us just can’t afford programs like Adobe InDesign and most of us wouldn’t know how to use it even if we could. With InDesign, you can create books that look like this:

Now, I’m not saying you’ll ever be able to do that with MS Word. I just don’t know if it’s possible. What I am saying is that you can have an awesome printed book for little to no cost. Keep reading.

I’m a regular subscriber to The Book Designer blog. His name is Joel Friedlander and he does a lot for those of us in the self-publishing world. If you don’t already subscribe, I suggest you do so ASAP. It’s a wonderful resource for Indie authors. Okay, moving on.

What’s the big news? I’m getting to that!

Joel has partnered up with Tracy Atkins, author of Aeternum Ray and partner over at Dyslexiana, to bring you MS Word templates you can use to make your book look awesome in print. Yeah, I know, it was a little difficult for me to believe as well; but take a look at this post where Joel announces the launch. Those look pretty awesome, huh?

If you hop on over to their website BookDesignTemplates.com, you’ll even get to download a free copy of their Book Design Templates Roadmap. It walks you through how to use the templates you buy. If you want to skip all the hubbub, you can go right on in and look at some of the templates available by clicking here.

Prices start at $37 each. But, after you buy one, you can use it time and again.

What’s all this about a coupon?

Well, Joel is offering a coupon code for 41% off any template you buy. Holy moly, right? That makes each template’s price start at just $15.17!! You can read all about it in his post here.

Without further ado, I give you the code: book41

You can follow Joel on Twitter, too. He’s @JFBookman

Happy shopping!

Well, that’s all for today, folks! Until next time, WRITE ON!